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“The wonder is that you are here”: poetry, community, and Anne Spencer
One of my favorite visiting-writer stories involves a New York-based author who, while guzzling artisanal cocktails in a local restaurant, said something like, “I don’t know why anyone would bother to write if they don’t live in Brooklyn.” That was a hilariously awful remark to make to his Virginia-writer-dinner-companions, but I get it. The literary…
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Poetry and the archives by the sea
A lot of poets write from research, and there are myriad ways to explain why. Just a few of the reasons, for me: because the past presses at me as a citizen and as a human being. Because my particular history–of my current region or my ancestors–needs puzzling through. Because I want to look outward…
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What I did not tweet from Poetry by the Sea
Almost passed out during Claire Rossini’s poem about dissecting an albino squirrel What percentage of poets would absolutely love their reading to knock an audience member unconscious? Seymour Lipset via Claire Rossini: Those who know only one country know no country Dolores Hayden: All but death can be adjusted Meena Alexander: We have poetry so…
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Poetry at the Border: Leona Sevick
My British immigrant mother didn’t oversee our swimming lessons. Having grown up poor, visiting the kind of beaches where you’d make a fire and boil tea to warm up, she was scared of the water. Instead, it’s one of the very few things I remember doing with my father, who swam daily at the Y.…
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Writing the motherland
“How many of you,” Betsy asked the audience, “think you know your mother’s mind, maybe better than she knows herself?” Whoops, I thought, raising my hand. That’s arrogant of me. But trying to read my mother’s mind was one of the most urgent and constant occupations of my childhood and teenage years, and I’ve kept…
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Killing your 18th c specialist darlings
My imaginary English Department was overstaffed, according to fictional administrators. Unfortunately, the first readers of my novel ms said the same thing. One of those professors, everyone said, has got to go. And it was pretty clear who had the least seniority. I hated firing the poor guy. Jay’s specialty is not, in real life,…
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The thing about April

My writing ambitions for National Poetry Month were NOT going well. The end of Winter Term–final classes, visiting writers, grading–doesn’t sound like a good time to reestablish a daily practice, but it has worked for me before. I love spring, when the natural world changes so rapidly from week to week, so when, like this…
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Oceanicartography
No, that’s not a real word. But last week, certain currents in my thinking converged, all having to do with maps and oceans. On Saturday, we dropped our daughter off at the Charlottesville train station then headed over to Chroma Projects to see a show by an old friend and collaborator, Carolyn Capps, called “Deep…
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Poetry at the Border 2: Cynthia Hogue
Poet and translator Cynthia Hogue on how borders work: Events today around border issues have brought back personal experience so eerily and uncannily as to seem to me the return of the repressed. The events recounted and per/formed in the excerpted poem that follows, “The Green Card Is Not Green,” happened twelve years ago to my…