That’s the little magnolia in our side yard, intensely pink but browned from last night’s ice. A very intense winter term is just ending, one that included lots of grief and good news for the people around me, and that struggling tree, planted by the previous owners, seems a reasonably good emblem for it all. A little scraggly, but in persistence, beautiful.
I’ve been meaning for a while to post some reflections about my winter term courses. One of them, a general-education level seminar, focused on poetry and music. We started with prosody and moved through a series of mini-lessons on poetry riffing on various musical genres: spirituals, blues, jazz, punk, hip hop. Anna Lena Phillips Bell visited and talked about old-time music in relation to her book Ornament. A student composer stopped in, and two other visitors analyzed song lyrics poetically, focusing on Kendrick Lamar and Bob Dylan. It was all tremendously fun, not least because my students were smart and game. I’m not sure I feel much closer to answering my big question: what possible relations exist between poetry and song? But I did write up the thoughts below for my students and they seem worth sharing.
First: while there are pieces about which I’d say with perfect confidence, “That strongly fits my definition of poetry,” or “that’s absolutely a song,” there’s a gray area where the genres lean strongly towards each other–a cappella singing, rap, poems recited rhythmically or over music. If music means “sound organized in time,” performed poetry fits the bill, whether or not the words are set to melody or there’s instrumental accompaniment. Rhythm is latent in words; voices have pitch, timbre, dynamics.
Conversely, song lyrics can be printed out and analyzed poetically, and singer-composers in various eras have had a very strong influence on what page-poets try to accomplish. I’m still bothered when people conflate the genres or put them in competition with each other, because the differences in media feel profound to me, yet lyric poetry and songs with lyrics share a strong sisterhood.
But given my own devotion to patterned words on a page, a medium I find powerful in its own right, I wanted to systematize the ways a printed poem can engage music. My provisional answers:
Scraggly list, or beautiful, or both? I’d be happy to hear about angles I’ve underplayed or overlooked. I really liked this topic for a course and plan to come back to it.
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