When you write a poem that resembles a spell, prayer, charm, curse, or blessing, are you trying to make something happen, and if so, what or how? That’s what we talked about on the Uncanny Activisms panel I organized for the C.D. Wright Women… Continue Reading “Uncanny paneling”
That’s the little magnolia in our side yard, intensely pink but browned from last night’s ice. A very intense winter term is just ending, one that included lots of grief and good news for the people around me, and that struggling tree, planted by… Continue Reading “How poetry approaches music (and dances away again)”
I’ve done just enough archival work to be fascinated by poets’ commonplace books. It’s been more than a decade since I worked among Marianne Moore’s papers at the Rosenbach, but I was impressed by her fantastically crabbed hand in a series of tiny notebooks,… Continue Reading “Twitter as commonplace book”
I am very glad I attended “Writing the Rockies” to discuss poetry and place with Anna Lena Phillips Bell, Tom Cable, Corinna McClanahan Schroeder, and many others. Getting there and back involved three flights each way, as well as some mild altitude sickness and… Continue Reading “So many mountains”
mapping the nest
A selfish poet
I make photographs and poems to please myself (and share them to please you).
pages from an unbound book
a poetry blog & online home to the work of José Angel Araguz
book blogger & reviewer
Poetry, haiku, tanka, and micropoetry
Art. Disability. Writing.
Place, Poems, Practice
Poetry and what-not
(because compost happens)
The work wants to be made
Writing from both sides of the brain
"This work is unlike any other, in its range of rich, conjuring imagery and its dexterity, its smart voice. Carroll-Hackett doesn’t spare us—but doesn’t save us—she draws a blueprint of power and class with her unflinching pivot: matter-of-fact and tender." —Jan Beatty