LESLEY WHEELER

Tag: editing

  • Cosmic, dystopic, poetic

    Cosmic, dystopic, poetic

    Spring proceeds peony by heavy-headed peony. With satisfaction and struggle, I’ve mostly finished the editorial part of the season, although we’re now proofing Shenandoah‘s Spring issue. I’ll be off the hook for a while, except for the relatively moderate workload of running the annual Graybeal-Gowen Prize for Virginia Writers, because I’ve now set the poetry…

  • Mycelial poetry devouring the ruins

    Mycelial poetry devouring the ruins

    For the last couple of years, my muse has been mycelial. I mean both that fungus infests my current mss–I’m revising a poetry collection and a novel–and, in a related way, that a mycelial life seems like what I ought to be aiming for. Spreading tendrils underground, sprouting mushrooms after a storm, metabolizing trouble: these…

  • Differently to #AWP22

    It’s been a packed week, but also kind of a splendid one. I feel more connected to literary people again–and more conscious of how much the first pandemic year, especially, disconnected us. I returned from a good conference last Sunday to visit with the wonderful poet January Gill O’Neil, who talked to my class the…

  • Three editors on rejection and persistence

    I finished choosing Shenandoah poems a couple of weeks ago. It’s such a pleasure to accept work, but there was so much strong poetry that I had to turn down, I could have built another good issue out of what I rejected. Honestly, I agonized so much I wondered if I’m cut out for this.…

  • Writing and publishing poetry book reviews

    I’m gearing up for a virtual weekend at the World Fantasy Convention, where I’ll give a Friday night reading as well as speaking on a panel about “The Weirder Side of the Fantastic,” both organized by the indefatigable, resourceful, generous writer Anya Martin. I’ll post about that next week, barring apocalypse, but in the meantime…

  • Looking off cliffs

    I’m not processing very well, here at the quiet edge of apocalypse. Sometimes I’m fine, scared, down, or stir-crazy; often I’m busy teaching remotely, being fortunate enough to still have a job; generally I can’t concentrate. New York City has always been the center of the world for me; how will it fare? When will…

  • Screening Shenandoah submissions

    It’s the last week of classes! I’m participating in what will be a brilliant reading at 4:30 today (in Hillel on W&L’s campus), from the beautiful Literary Field Guide to Southern Appalachia! And can I say it again?–this intense term is nearly DONE! In corners of time, I’m also screening poems for Shenandoah, both for…

  • Rusting robot poetics

    Lots of stress on this bucket of bolts lately–family, health, and writing-related–but I’m tickled to report that my first poetry comic has been published by the gorgeously-redesigned Split Lip Magazine. My spouse Chris Gavaler and I created it a couple of years ago; he made the images and I wrote the words, although there was…

  • A view from the masthead

    I read Beth Staples’ Editor’s Note to the new issue of Shenandoah aloud, in the car, from my phone. Chris and I were on our way to a poetry reading by Sara Robinson, Patsy Asuncion, and others at Ragged Branch Distillery–a gorgeous setting–while sun and clouds chased each other across the mountains. We had read…

  • A mouth of purple crocus

    One of the first sonnets I wrote, as an undergraduate, contained the lines: “A mouth of purple crocus opens through/ the snow, wild to speak the store beneath. / It carries coin.” I don’t remember the rest, although the poem is probably in a bin in the attic somewhere. The lines have been running through…