I’m gearing up for a virtual weekend at the World Fantasy Convention, where I’ll give a Friday night reading as well as speaking on a panel about “The Weirder Side of the Fantastic,” both organized by the indefatigable, resourceful, generous writer Anya Martin. I’ll post about that next week, barring apocalypse, but in the meantime I’m thinking about what’s weird and fantastic about poetry reviews.
The WHY of reviewing is probably obvious. Most poetry books don’t get much love, so you serve writers, presses, and readers by bringing your favorites to wider attention. Every poet with means and time should give public service to the art they love, and reviewing is one way to do it (panel/ event organizing like Anya’s is another). Generosity occasionally pays off–if people appreciate you, they may help you in some future, unexpected way–and any byline can increase your name recognition. That’s not the core reason for literary service, though. Fandom is at the heart of it, plus desire to strengthen a fragile community. If you write a thoughtful review, you’ve shown the author they have at least one good reader out there. It makes all parties feel glowy.
Love of poetry isn’t all a reviewer needs, though. I’ve written a ton of criticism, so I’m a faster writer than many, but reviewing a poetry book is still an eight-hour commitment, more or less. I read the book once; put it down and think about it; reread it and start drafting; then take a break from the draft for a day, or a few days, and come back, rewrite, and polish. They’re typically 750-1500 words. Writing micro-reviews (250-300 words) is quicker, but I always end up writing long then boiling them down, a process that takes time, too.
Although I don’t always have the hours, I like reviewing a lot. It feels freeing to analyze a book without scholarly protocols. No bibliography, no citing Very Important Theorists! I’m trying to write a few reviews this year because I’m on sabbatical, grateful for good notices my books are receiving, and, at this bad moment, having a hard time concentrating on big stuff. Writing a poetry review is a way of procrastinating while still putting some useful writing out there.
The first thing to do if you want to write reviews is read a bunch of them and decide what you like and don’t like about them, ideally comparing published reviews to collections you’ve read. I personally find real-world models more revealing than instructions, but here’s how I approach the actual writing:
It’s helpful to have a target venue or two before you write so you can check on their rules including preferred length, when their review submission period is open, and formatting questions. To find appropriate ones, I check out where the author has published before as well as querying places whose reviews I generally admire. (Some writers mainly review for one publication; I hop around.) Some considerations:
Whether reviewing can be part of your life right now or not, I hope you’re hanging in there. I’m struggling to stay sane, but it was nice to see the Fablesque review come to fruition, as well as a short interview about editing/ submitting with Frontier Poetry and the announcement of a prize I judged for Talking Writing–the winner is B. Tyler Lee, whose work is new to me but whose essay was riveting and moving (it was a well-run contest, by the way–thoroughly anonymous). I gave a fun reading via my college library yesterday that was widely attended by students, colleagues, far-flung friends, and alumni–that was a treat. Finally, I just received my copy of an essay collection called Deep Beauty and I’m really enjoying the many wonderful, surprising, and often uplifting essays bumping shoulders with my own. May your days be full of small good things, and may we soon be smiling over a landslide election.
I make photographs and poems to please myself (and share them to please you).
pages from an unbound book
a poetry blog & online home to the work of José Angel Araguz
book blogger & reviewer
Poetry, haiku, tanka, and micropoetry
poetry, writer's lift wednesday, music, and other stuff
Art. Disability. Writing.
Place, Poems, Practice
Poetry and what-not
(because compost happens)
The work wants to be made
Writing from both sides of the brain
"This work is unlike any other, in its range of rich, conjuring imagery and its dexterity, its smart voice. Carroll-Hackett doesn’t spare us—but doesn’t save us—she draws a blueprint of power and class with her unflinching pivot: matter-of-fact and tender." —Jan Beatty
a poetry page with reviews, interviews and other things