-
Reading by the glow of a year on fire
2019 was a good year for books but a weird year for reading. For pleasure, work, and mood-medicine, I read constantly, but it’s been different lately: my poetry rate is typical, but fiction and I have had some problems. I couldn’t finish things, or I read multiple books in alternating fragments, concentration flickering. I received…
-
Not with a whimper but a bang!
Actually, that title sounds sexual–sorry. I MEAN to tell you how my year is ending, show off some cool student work, and wish you a happy solstitial impeachment frenzy. My happy news–honored above by a photo of Ursula ecstatic about catnip–is receiving a Katherine Bakeless Nason Scholarship to Breadloaf Environmental Writers Conference this June. This…
-
Screening Shenandoah submissions
It’s the last week of classes! I’m participating in what will be a brilliant reading at 4:30 today (in Hillel on W&L’s campus), from the beautiful Literary Field Guide to Southern Appalachia! And can I say it again?–this intense term is nearly DONE! In corners of time, I’m also screening poems for Shenandoah, both for…
-
Modernism in Native American Heritage Month
Some terrific people at my university just organized our first ever Native American Heritage Month, involving two lectures, two documentaries, and a poetry reading with tastings of traditional foods. I made it to four out of five events, and every one was interesting, moving, and really fun–I’m so grateful to the organizers for their work.…
-
Uncanny paneling
When you write a poem that resembles a spell, prayer, charm, curse, or blessing, are you trying to make something happen, and if so, what or how? That’s what we talked about on the Uncanny Activisms panel I organized for the C.D. Wright Women Writers Conference last weekend (the conference as a whole was wonderful,…
-
Teaching US Poetry from 1900-1950
I started teaching modernism as a graduate student, leading discussion sections for Walt Litz at Princeton in ’91. When I arrived at W&L in ’94, I resolved to teach much more diverse syllabi: I put the version of modernism I’d studied in conversation with the New Negro Renaissance and included many women writers (Walt’s syllabus…
-
Copy-editing and fact-checking poems
As the New York Times reports, we’re seeing industry-wide hand-wringing right now about how rarely books are fact-checked, following scandals involving Naomi Wolff and others. I’m proud that Shenandoah editor Beth Staples makes fact-checking a priority: the interns comb through every piece we publish, following up on names, dates, and a host of other check-able…
-
Pacing
Dear Poetry Professor,How do you get the writing done?-Lots of People This has been a super-hard September, beginning with emotional transitions–dropping my son off for his first year at college, establishing my daughter in her first apartment–and proceeding through too many doctor visits and grant applications on top of the usual stuff. And the usual…
