Not to get too pagan on you, but this week I can feel wheels turning, for good and ill. On the good side: above is the cover of my first novel, to be released in June 2020. I’ve been so grateful for the excitement people have expressed about it. As I keep saying, this venture feels more like a leap into the dark than poetry publishing. I’m getting publicity gears grinding for my March 2020 poetry collection, too, but I know perfectly well that except for rare cases, “Writing a book of poetry is like dropping a rose petal down the Grand Canyon,” as Don Marquis poetically said, “and waiting for the echo.” I worked insanely hard on that novel, I’m proud of it, and I WILL get out there to give readings, etc.–but will it be like dropping a moderately-sized rose bush into the Grand Canyon, meaning, not much more echo-producing? I really have no clue. I feel pretty philosophical about it these days; I just want to know, a year from now, that I gave all my pretty rose petals the most energetic pitch possible.
Pitching, however, is a LOT of work. The “bad” of this liminal season is feeling stressed and anxious as I step from the overwork of October (teaching, grading, applications, event programming) to the overwork of November (teaching, conferencing, applications, and exceptionally heavy committee work). I just keep plotting out tasks on my calendar, trying to prove to myself that it CAN be done, and hoping I reach Thanksgiving in one piece. I’m also trying, to whatever extent possible, to pare off obligations that rev up my worries and spend time instead on what makes me feel better.
Ridiculously, that sometimes means work, but the kind of labor that produces an experience of flow rather than jitteriness. I gave Monday morning over to intensive lesson-planning, doing some background reading on William Carlos Williams and getting ready for tomorrow’s campus visit by the fabulous Lauren K. Alleyne, and you know what? I felt noticeably better after those hours of concentration. Answering email: not so soothing.
Today’s treat was reading a splendid new anthology I am lucky enough to have a poem in: the brand-new Literary Field Guide to Southern Appalachia, edited by Rose McLarney and Laura-Gray Street. They commissioned pieces on various plants and creatures from poets with connections to the region, and so many of the poems are gorgeous and moving. Each species, too, is described by naturalist L.L. Gaddy and illustrated in black-and-white by seven Southern Appalachian artists. The resulting book is both local and diverse, and truly a stunner.
The next task: prepping for the C.D. Wright Women Writers Conference starting on 11/8, because I’ll be away this weekend, visiting the kids (it’s Haverford’s Family Weekend). That’s downtime I sorely need, as I keep telling myself as I watch work pile up on either side of it… but I’ll be striving to be in the moment there, and at the conference, too. Check out the program; it looks kind of brilliant.
What I want to do most of all is work on a short story I’m feeling excited about; the poetry hasn’t been coming lately. And that leads to one last Samhainish thought: one of the funny things about publication is that by the time the work gets out there, you’re often mentally and emotionally moving on to new ideas. When you give a reading or do other kinds of promotion, you can feel like you’re trying to call up the dead and hoping the doors to the otherworld open, as they’re supposed to do this time of year. Come, ghosts, and help me out. I have, in fact, been thinking about my father and dreaming about my maternal grandmother, as if spirits are visiting–and I’ve also been remembering that tarot card reading I got around New Year’s, when the psychic told me two ghosts were following me around. If they are, and they want to be of use, maybe they could help with the committee work?
"This work is unlike any other, in its range of rich, conjuring imagery and its dexterity, its smart voice. Carroll-Hackett doesn’t spare us—but doesn’t save us—she draws a blueprint of power and class with her unflinching pivot: matter-of-fact and tender." —Jan Beatty
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