LESLEY WHEELER
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  • Modernism in Native American Heritage Month

    Some terrific people at my university just organized our first ever Native American Heritage Month, involving two lectures, two documentaries, and a poetry reading with tastings of traditional foods. I made it to four out of five events, and every one was interesting, moving, and really fun–I’m so grateful to the organizers for their work.…

    November 24, 2019
  • Uncanny paneling

    When you write a poem that resembles a spell, prayer, charm, curse, or blessing, are you trying to make something happen, and if so, what or how? That’s what we talked about on the Uncanny Activisms panel I organized for the C.D. Wright Women Writers Conference last weekend (the conference as a whole was wonderful,…

    November 15, 2019
  • In a Samhain state of mind

    Not to get too pagan on you, but this week I can feel wheels turning, for good and ill. On the good side: above is the cover of my first novel, to be released in June 2020. I’ve been so grateful for the excitement people have expressed about it. As I keep saying, this venture…

    October 29, 2019
  • Teaching US Poetry from 1900-1950

    I started teaching modernism as a graduate student, leading discussion sections for Walt Litz at Princeton in ’91. When I arrived at W&L in ’94, I resolved to teach much more diverse syllabi: I put the version of modernism I’d studied in conversation with the New Negro Renaissance and included many women writers (Walt’s syllabus…

    October 20, 2019
  • Copy-editing and fact-checking poems

    As the New York Times reports, we’re seeing industry-wide hand-wringing right now about how rarely books are fact-checked, following scandals involving Naomi Wolff and others. I’m proud that Shenandoah editor Beth Staples makes fact-checking a priority: the interns comb through every piece we publish, following up on names, dates, and a host of other check-able…

    October 8, 2019
  • Pacing

    Dear Poetry Professor,How do you get the writing done?-Lots of People This has been a super-hard September, beginning with emotional transitions–dropping my son off for his first year at college, establishing my daughter in her first apartment–and proceeding through too many doctor visits and grant applications on top of the usual stuff. And the usual…

    September 23, 2019
  • Live from the surface of the moon

    Live From the Surface of the Moon     The landing leg (porch) jets a web of shadows across lunar powder while brilliantly bleached astronauts lope across the frame   On Sunday July 20th 1969 I am not yet two : : do not divine how the moon mirrors the sun and the magnificent desolation…

    September 15, 2019
  • Work: 25 notions & reveries

    This is my twenty-fifth fall teaching poetry at my first real job, at a liberal arts college in Virginia. I never thought I would stay this long. When I arrived, I was twenty-six with a new PhD and limited experience. A bunch of publications and a bazillion classes later, I am a better teacher, scholar,…

    September 2, 2019
  • Rusting robot poetics

    Lots of stress on this bucket of bolts lately–family, health, and writing-related–but I’m tickled to report that my first poetry comic has been published by the gorgeously-redesigned Split Lip Magazine. My spouse Chris Gavaler and I created it a couple of years ago; he made the images and I wrote the words, although there was…

    August 18, 2019
  • A slightly terrifying amount of reading

    “Admit that Mexico is your double, that she exists in the shadow of this country, that we are irrevocably tied to her. Gringo, accept the doppelganger in your psyche. By taking back your collective shadow the intracultural split will heal.” (page 108) “This land was Mexican once/ was Indian always/ and is./ And will be…

    August 9, 2019
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