Author: Lesley Wheeler

  • Poetry and self-doubt, with footnotes

    There’s this late-fall moment, every other year, when many U.S. poets feel a little dejected: once again, no NEA fellowship. This year, for reasons I don’t entirely get, I just shrugged it off. Too busy, maybe. The thought had also hit me the week before Thanksgiving–oh, wait, I bet they’ve decided already–so I felt resigned…

  • The ending’s beginning

    One cheerful thing about bare trees is the omen of changed rhythms: the hard work of fall is coming to fruition, with dream-time ahead. Two more weeks of teaching, then I hope I’ll finish making decisions about the terrific poems lingering in Shenandoah‘s inbox. Editor-in-Chief Beth Staples is frantically gearing up to relaunch that magazine…

  • November invocations

    Write a blog post that is a spell, Oliver de la Paz said to my class, only he said poem, of course, because I had asked him to give us a poetry prompt. The first line and the last line must be the same, he added, as the afternoon light toasted up golden and he reclined in…

  • Keeping the minutes on violence, with Lucille Clifton

    For a workshop on Tuesday, Election Day, one of my undergraduates submitted a poem based on the day he hid in a closet during a middle school shooting. A different student said there had been a shooting in her school, too; another described an active shooter just last week in the high school her sister…

  • Scary days, undignified cats

    I had hoped the scariest thing about this week would be giving a poetry reading to a bunch of highschoolers–angry captives under a bell jar fogged by seething hormones. Instead, the students and I shared ghost stories and the whole thing was reasonably fun, while politics are frightening me to death. The president is egging…

  • Still life with two relaxed superheroes and a sparkle pen

    Sometimes, if I wake up extra-early, I’ll make a pot of tea and read one of the many bound-to-be-good poetry books stacked on the cyborg (what we call the sideboard, for obscure reasons). This morning I read Diane Seuss’ Still Life with Two Dead Peacocks and Girl. It’s full of elegy and ekphrasis, a very rich book…

  • October list, with bright spots

    Every U.S.-residing woman I’m in conversation with, of every generation, remains upset about Kavanaugh’s confirmation. For me it’s like trying to do my best work as some disembodied voice mutters in my ear, Even when we believe you, we consider the “assaults” you have suffered laughable. This is worth remembering about people as we walk through…

  • She cannae take any more, cap’n

    Trying to teach Robert Hayden on Friday, I had such a mother of a hot flash that my glasses fogged up. I’m not sure my students even noticed. We were discussing Hayden’s complicated elegy for Malcolm X, a small star releasing its own fire, and the seminar is full of canny astronomers with their own…

  • The bees are flying. They taste the spring.

    How intense it was this week to be alternately following and averting my eyes from the Senate hearings as I taught Sylvia Plath to seventeen stingingly sharp students–trying to open up space to talk about anger, violence, gender, and race in powerful but often disturbing poems. Plath’s handling of metaphors related to the Holocaust, slavery,…

  • Obliterature

    “Obliterature draws attention to the gendered formation of literary value while also denoting the casual, minor, repurposed, and ephemeral writing expelled from literary criticism’s traditional purview. Such writing might include letters to the editor, junk mail, diary entries and their twenty-first-century digital descendants: blog entries, comments on a newspaper and magazine site, Instagram posts, LiveJournals,…