My daughter spent the weekend in Budapest, an eight-hour bus ride from Prague, where she’s studying abroad. My son spent the weekend at the state chess tournament, at which he played well and scored a couple of upset wins against higher-ranked competitors. I spent the weekend honing a PowerPoint concerning faculty survey results for the program directors’ plenary at the AWP, which is not my cup of tea, although many cups of tea were consumed in the process. My workload has definitely been tilted too far towards service lately. On the bright side, even as I struggle to meet all those commitments, poems are spraying out of me wildly like water from a damaged spigot. It’s a spring thing–the light comes back and so does the poetry.
I enjoyed editing the “Process” column for Modernism/ modernity, but I’m grateful to be handing that patch of earth to another gardener now. For my last post, I interviewed one of the contemporary poetry scholars I most admire, Jahan Ramazani. “Isn’t that one of the glories of rich, complex, multidimensional poems,” he writes, speaking my language, “that they keep emitting light long after much else in their time has gone dark?” I hereby raise my teacup to scholars and critics everywhere doing good work in service of rich, complex, multidimensional poems. May it keep mulching new poems and reinvigorated conversations.
The other publications poking out of wintry soil this week were two poems in the new issue of Barrow Street. The shorter one, “Recumbent Lee,” is pictured above, photographed in Payne Hall at W&L. Lee Chapel rises in the background, a building that’s basically a shrine to Lee; Valentine’s statue is housed centrally within it, and the general himself is buried in the crypt. My poem was written and accepted well before the white supremacist violence in Charlottesville last summer, but in a way, it’s overdue. I have a lot of problems with Valentine’s well-rendered work of art. The graceful way it whites out cruelty–that’s not what I wish to teach and honor.
A waxing gibbous moon rising over the rear of Payne Hall, however, after a wonderful lecture by Robert Macfarlane about language and the more-than-human world–that’s a brightness I’d amplify. It’s funny how I can feel so stressed about everything happening outside my classrooms but pretty good about what’s happening within them. But as I prep pantoums, ghazals, blues, and documentary poetry for tomorrow, I do feel nourished by the work of helping their writing and thinking grow. It’s decent ground to stand on when the wind is high.