Tag: grant application

The important stuff

On Thursday afternoon of last week I thought I’d organized all my obstreperous administrative ducklings into a row and marched them off into a soft-focus sunset. Or, if that metaphor isn’t working for you, you could say I was heading into Washington and Lee’s… Continue Reading “The important stuff”

Applying for a Fulbright: one reviewer’s POV

I definitely did not have time this September to read and evaluate sixty 25-40 page applications from mid-career and senior scholars and artists to the region of Australia/ New Zealand. I said yes anyway because I was grateful for my 2011 Fulbright to Wellington… Continue Reading “Applying for a Fulbright: one reviewer’s POV”

The embarrassing grant genre of the “career narrative”

Posting this feels way scarier than uploading bad selfies to Facebook. The genre potentially fuses bombast with whining: “I am the most awesome candidate in your enormous pile of awesomeness” with “please please I NEED this.” But many of us at least consider applying… Continue Reading “The embarrassing grant genre of the “career narrative””

clayandbranches

mapping the nest

Trish Hopkinson

A selfish poet

Murray Robertson (photography & poems)

I make photographs and poems to please myself (and share them to please you).

barleybooks

pages from an unbound book

The Friday Influence

a poetry blog & online home to the work of José Angel Araguz

Kitty Marie's Reading Corner

book blogger & reviewer

Rusted Honey

Poetry, haiku, tanka, and micropoetry

Alizabeth Worley

Art. Disability. Writing.

Tara K. Shepersky

Place, Poems, Practice

Matthew Paul

Poetry and what-not

The Daily Compost

(because compost happens)

Madeline Ruth Walker

The work wants to be made

Colleen Anderson

Writing from both sides of the brain

Mary Carroll-Hackett: Poetry and Prose

"This work is unlike any other, in its range of rich, conjuring imagery and its dexterity, its smart voice. Carroll-Hackett doesn’t spare us—but doesn’t save us—she draws a blueprint of power and class with her unflinching pivot: matter-of-fact and tender." —Jan Beatty