LESLEY WHEELER
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  • Poems including history

    I asked Robert Sullivan at a recent reading about the role of history in his poems. He replied, “I’m making a genre argument that historians are, like poets, imaginative writers; that poetry is also well equipped for these conversations; and that the historical can also be personal.” (I suspect those semicolons are all mine, but…

    March 28, 2011
  • Metaphors for Community

    Is there a word for this? I visualize a pale field crisscrossed by radiating lines, each representing some affiliation or influence. This web is speckled with nodes or tangled places where a great many lines converge, and of course the pattern isn’t fixed. Some nodes keep darkening, gathering power, pulling more threads through their hubs.…

    March 23, 2011
  • “heaviness of the cave, the hive”

    In Bill Manhire’s poem “Kevin,” “the cave, the hive” is an imagined space: maybe the far origin of voices on the radio; maybe the room around you as you listen in the dark; maybe the old-fashioned cabinet housing mysterious machinery. In any case it’s dim, enclosed, and haunted. I first heard “Kevin” at a City…

    March 18, 2011
  • Framing the House

    The first poem I hear performed in Aotearoa New Zealand is by a loud Australian Spoken Word guy. He’s ginger-bearded, ruddy, wearing hiking boots and a hat he stole in Nepal. His poem, “Behemoth,” begins with a wordless roar. I recognize the cast that follows, more or less, from other open mics I’ve attended in…

    March 9, 2011
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