Alternate possible worlds of poetry scholarship


A quick postcard from Brooklyn and the annual Modernist Studies Association conference: hello! Having a great time! Wish you were here!

The MSA was My Conference during the years in which I wrote my two wholly scholarly books. As a green assistant professor, I participated in a seminar on modernist women poets and made friends with whom I still keep in touch. I stopped attending for a while because I was working on a later period–21st century verse in Poetry’s Possible Worlds–and because I started publishing poetry collections that I needed to find audiences for, and perhaps ironically, most people here don’t read a lot of contemporary verse. Some writers have energy and money for ALL the conferences, it seems; I pick and choose, and this one just didn’t fit my obsessions, for a while. I’m back in modernist territory in the criticism I’m writing, though, so I organized a roundtable called “Avenues of Creative Scholarship.” The people I invited did an amazing job (see Suzanne Churchill’s slides about scholarship and design here, for example). Retrospectively, though, I feel a little queasy about my own presentation. Intellectually I live in a weird place, I guess, neither fish nor fowl, and I have NO idea how scholars are receiving my recent work.

Funnily enough, The Hopkins Review just made my creative-critical essay “Ghost Tours” available for free download for a few days. I’ve blogged about it before, but then it was only available in print or through paywalled Project Muse, so I thought I’d let you know about this quick window of opportunity. If you like Auden, Ouija boards, weird footnotes, and disenchantment about academia and the confederate-nostalgia-tourism industry, this is for you. Happy Halloween.

A few deeply interesting presentations, some that were dull, but lots of lovely meals with poet- and scholar-friends: a good trip overall, although, as one friend from West Virginia put it, every dish or glass of wine is basically a hardback book, price-wise. What a way of doing the math! Speaking of math, I also took my son the impecunious grad student out for a couple of meals; we saw the Spike Lee and Judy Chicago installations at the Brooklyn Museum and walked the Brooklyn Bridge together, a first for both of us.

Back to the real world soon, with all kinds of mixed feelings–

Your Friend the Creative-Critical Chimera


3 responses to “Alternate possible worlds of poetry scholarship”

  1. Just enough older than you to remember when Judy Chicago’s Dinner Party first made its splashy and controversial debut. I’m wondering whether it has regained some of the “relevance” it apparently lost (in the 90s?) (fads in critical work, etc)…and what you and your son thought about it.

    Liked by 1 person

  2. “Relevant” isn’t quite the word anymore–it does seem to be of its era, in its strengths and problems–but we both found it powerful. The combination of large ambition and minute attention to detail, in that gendered task of place-setting, is pretty striking.

    Like

Leave a comment