Mother of stories

My mother died early Friday morning of lymphoma in my sister’s house in New Jersey. There’s a lot to process–the good way the family gathered around and helped her through rapidly worsening illness; all that she said to us as we nursed her; great kindness and serious failures in the medical treatment she received–and the logistics have been and continue to be challenging. My brother as executor now has a million kinds of paperwork to do in Pennsylvania, where he and my mother lived together. My sister has a roomful of equipment and supplies to clear, having expected my mother to stay there for months (it turned out to be just 36 hours), and she’s taking the lead with the funeral home. I arrived back in Virginia last night after spending April as a tri-state nomad, helping negotiate facilities and doctor appointments as well as caring for my mostly bedridden mother for five or six days in my brother’s house. I’m also in charge of obituaries, and I’m sure I’ll work through the experiences and feelings of the past few weeks in five bazillion new poems. In this blog, though, where writing intersects with with the complicated business of being a person muddling through, I’m honoring the ways my mother shaped my literary life.

My mother, Patricia Cain Wheeler, wasn’t a writer, but she was an avid reader. Born in Liverpool during World War Two, in a crowded tenement that she longed to escape, books helped her imagine other, better worlds. She was the storyteller-in-chief during my own childhood, conjuring Liverpool in the nineteen-forties in all its sharp contrasts with my suburban New Jersey comforts. I learned about the coal-heated houses she grew up in, with privies and bomb shelters in their back gardens, and in at least one of them, a swing she loved to ride as she daydreamed. My sister and I mapped our respective territories by upholstery seams in the backseat of an Oldsmobile; my mother’s sister drew chalk lines to construct a sort of privacy in their tiny shared bedroom. Rationing meant food was scarce for my mother and her three siblings; I grew up on Cheese Whiz, bacon-draped meatloaf, Wonder Bread, and the British chocolates my grandmother stuffed in her suitcases when she flew over for long visits. My mother’s educational opportunities were very limited, but she won a scholarship to Calderstones High School, where she played Caesar and Macbeth in school plays because, at 5’5”, she was the tallest girl in the class. At sixteen she left to study nursing at Royal Liverpool Babies Hospital, but it was difficult work. She left it to clerk at a store then, in 1962, to emigrate to the US and give in-home care to the children and elderly relatives of rich Long Islanders before she married. I wrote about these and other stories in my 2010 book Heterotopia. They’ve always exerted a powerful hold on my imagination.

My mother taught me to understand my life as a series of tales in which I was the adventurous heroine. She also gave me books. Each Christmas, the best present was a heavy shirt box filled with paperbacks, with the implication that at nine or ten, I was plenty old enough to enjoy them. They included most of the Alcott and Brontë novels plus works by Shakespeare, Jules Verne, Sir Walter Scott, Arthur Conan Doyle, Agatha Christie, Jane Austen, George Eliot, D.H. Lawrence, Homer, Chaucer, and much more. I remember walking down stairs carpeted in cream shag to ask her the difference between “impudent” and “imprudent.” When I was having trouble making sense of Wuthering Heights, she reread it and explained the story to me. Her taste wasn’t all high-flown, though. I also devoured her Reader’s Digests and Harlequin romances. It’s largely due to her that I always had my nose in a novel or play or epic poem, depending on them for escape and education. I told her how much I owed her for this a week ago, when she lay semi-conscious in a hospital bed, and it won me a rare smile.

She was also the parent who read all my poems and stories and, eventually, my published books, cheering me on. I owe certain teachers, too, for encouraging me to write poetry particularly, but I wrote Unbecoming because my mother taught me to love character-driven genre fiction (though she would never have used those words!). There’s a maybe-supernatural character in my novel because she loaded me up with tales about fairies and brownies and ghosts. I can’t believe that’s all in the past now, but my mother will survive as the stories we tell about her. Below are a couple of poems inspired by her life, the first from Heterotopia, the second from The State She’s In, in which she’s also a presiding spirit.

The Third Child Counts Her Options, 1949

We did own roller skates. I sometimes strapped
one over my shoe, gliding down Vronhill
Street like a sad flamingo. My sister

buzzed by on the other, pretending to
be a Luftwaffe raider. My brothers
rowed over the bicycle. There were four

of us, three fighters, and never enough
biscuits. One of us had to read the old
books instead. One of us had to sit still.  
Ambitions: Liverpool


I. In ‘62, my young mother flew from known melodies, from clouds rolling up and down the Mersey with the tides.
II. Where would I be otherwise? Each curved person a lattice of contingency. Weak sunlight filters through.
III. She was born in a curved iron and glass shed, Lime Street Station platform eight for London Midlands, with a hissing exhale and a rocking momentum.
IV. Corridors of red sandstone, arched brick, concrete bearded with soot and moss. Four pairs of rails rusted pink. The city’s muscles contract.
V. Towers topped with empty nests. Where are the birds? 
VI. My return ticket bought by her departure. My diplomas. My pay stub. My upwardly-mobile American refusal to pick up after men.
VII. Brakes whine softly until the country opens and I pick up speed.
VIII. Far away, joint-sore, she is throwing off a duvet, opening blinds, creaking downstairs to her son’s kitchen, listening to news of brutal collusions.
IX. Daisies, buttercups, yarrow—flowers that cannot be suppressed—and sheep-cropped hills beyond.
X. Clouds are heavy, sorrowful. They resist breakage but wind has its own ideas. Look at the azure vents it opens, with a tearing cry. 

16 Comments

  1. Lesley:

    Carolyn and I are so sorry to read of the loss of your mother. We both can empathize and feel, at least somewhat, what you are feeling. I watched Carolyn and her seven siblings go through their mother’s death with great dignity. Like in your family, one of the brothers was executor, and he was a god send. In the midst of grief and remembrances, there is this major nuisance called the business of death. I had no siblings and for the first few days I was so depressed as so many tasks were pushed at me. It took me awhile to come out of it, then I found tremendous relief in sitting down with the numerous pictures of her and letting my mind just wander around.

    We wish for you peace and comfort.

    Warmest regards, Sara

    >

    Liked by 1 person

    1. I’m so sorry, Lesley. What a wonderful job you have done paying tribute to her now, and i suspect you will continue in the upcoming obituary and poems to come. I have been through similar journeys with the deaths of my younger sister, my mom, and my dad, in all three cases, for many days and in the end, the only one in the room for days and hours. It is such hard, important work, and it’s great the siblings pulled together. Take care, and I will be thinking of you.

      Liked by 1 person

  2. I am so sorry to hear this news about your mom Lesley. I know you will be able to find comfort in all the love and knowledge she gave to you – your relationship is a true treasure. Peace and hugs.

    Liked by 1 person

  3. You write so beautifully. Now I understand why. God bless you in this time of grief. Write down every memory. Not because you could forget, but in order to remember. Hugs.

    Liked by 1 person

  4. I’m so sorry Lesley. The beauty of your words and the palpable love you feel for your mom brought tears to my eyes. I look forward to reading the poetry that will follow but in the meantime if you need to talk give me a call.

    Liked by 1 person

  5. Lesley, I am so sorry to read about your mother. I’ve been through that too. I really enjoyed your post; your mother sounds like she was a wonderful parent, and person. Interesting about thinking you were ready for the classics at age 9 or 10. My grandson is 11 and beginning to read some of them too. He loves Conan Doyle. I hope you get through this time; it’s so very trying. Keep your heart up.

    Liked by 1 person

  6. I am so sorry to read about this, and it actually was hard through the tears that filled my eyes. I hope you and your sister and brother can stay lovingly bonded thorgh out the next stage as you process things, some relief and grief together. I look forward to poetry and more from you- Tilly

    Liked by 1 person

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