I love so much about #TheSealeyChallenge, a project created by poet Nicole Sealey asking people to read a book of poetry a day for the thirty-one days of August. I’ve read some guilty-sounding social media posts, though, by people saying they just can’t read poetry that fast, and I get it. The event has been running annually for a while now and I’ve only been able to post with the hashtag sporadically; I usually spend August desperately trying to finish up summer writing projects as I simultaneously gear up for the academic whirlwind of September, which has ALSO involved, for the past twenty years, filling out back-to-school forms and shopping and packing with my kids. Crazytown. This year, though, I’m heading into the best-timed sabbatical in the history of the universe. I can spare an hour a day for other people’s poetry.
Yet I have to add that one of the great things about poetry is how it slows us down, drawing readers into hard thinking, compressed language, and close observation of the world and ourselves. It’s paradoxical to try to read a lot of poetry FAST. I often do a first reading of a poetry volume in a single hour, trying to understand its scope and aims, but unless the poems are unusually brief and straightforward, that means I’m not taking in every poem deeply. I just read ARCs of a forthcoming book I plan to review, for instance, and I’m going to have to reread it much more slowly soon, taking notes, developing a deeper grasp of and appreciation for the work. Teaching a book, likewise, requires layered engagements with lots of pauses. And sometimes you just WANT to go back and reread something non-instrumentally, for the pleasure of it. #TheSealeyChallenge is a bit like NaPoWriMo, when people try to draft a poem a day for the month of April. The product isn’t the point–it’s the process of making daily space for art that counts.
I appreciate, though, how this challenge inspired me to buy a bunch of books, dig through piles of books I’ve never managed to read, and investigate library holdings. And I like, after months of flogging my own books, turning to poetic citizenship by promoting other writers. Finally, it’s fun to follow the hashtag and use it to find other writers and readers with similar tastes. All that said, it’s only the 5th, so who knows how I’ll do? I’m also deep into drafting my 2nd novel now and suddenly, after long July doldrums, I feel busy. My employer requires COVID-19 tests and I’m scheduled for next week, I have the Outer Dark Symposium on the Greater Weird coming up, and I’m helping my son plan for a return to college. (Allegedly. You have to wonder if ANY of these back-to-school-with-masks plans will bear fruit. But he’d rather take classes that will almost certainly go online while sharing the Environmental House on campus with a handful of friends, and I would have felt the same. He’s eating well at home and we like his company, but he’s lonely.)
My OTHER project, starting today, is joining an intermittent fundraiser engineered by the brilliant Franny Choi. Called #TinyBookFair, it involves targeting a charitable cause and inviting people to make donations for a free signed copy of one’s own books. Heaving all the notices onto social media and constructing an email blast took a couple of hours this morning, and the physical mailings will take effort, too, but honestly, it’s fun. I feel really good about the orders trickling in, and life hasn’t contained a ton of feel-good moments lately. My #TinyBookFair (instigated by Choi and run in collaboration with the folks at Brew & Forge) raises money for Project Horizon, a Virginia organization dedicated to reducing domestic and sexual violence (my canceled March book party was meant to raise funds for them). I’m offering up to 15 signed copies of my new books to anyone who donates at least $20: participants can choose either The State She’s In (poetry) or Unbecoming (novel). If you’d like one (or more!), please 1) donate at http://www.projecthorizon.org/, and 2) message me your mailing address; a screenshot or receipt showing your donation; and a note about which book you want (my emails are firstname.lastname@example.org or email@example.com, but I also use FB Messenger regularly). Then I’ll mail you a signed copy. My goal is to raise $300 by August 12th to fund Project Horizon’s amazing work. Alternatively, you could order one for a friend you miss–I’m happy to take requests. We have a ton of good causes to send our dollars to, of course, and a lot of us have fewer dollars to start with, so it’s like #TheSealeyChallenge–a small good thing, but not for everyone.
Below are a few pictures from nearby Lake Douthat, because I also plan to spend this month doing a few final summery things–some outdoor, not-crowded stuff–because being home at my keyboard all the time gets me down. I hope there are a few blue-and-green vistas planned for your August, too.
I make photographs and poems to please myself (and share them to please you).
pages from an unbound book
a poetry blog & online home to the work of José Angel Araguz
book blogger & reviewer
Poetry, haiku, tanka, and micropoetry
poetry, writer's lift wednesday, music, and other stuff
Art. Disability. Writing.
Place, Poems, Practice
Poetry and what-not
(because compost happens)
The work wants to be made
Writing from both sides of the brain
"This work is unlike any other, in its range of rich, conjuring imagery and its dexterity, its smart voice. Carroll-Hackett doesn’t spare us—but doesn’t save us—she draws a blueprint of power and class with her unflinching pivot: matter-of-fact and tender." —Jan Beatty
a poetry page with reviews, interviews and other things