And even in blindness our chemistries communicate. Our instinct, a lace mycelium. When my cheeks go hot and I distrust a man I may be sensing the hair as it rises from another woman's neck. I may smell her experience. We know more than we trust ourselves to know. -Caroline Cabrera, from "The body gives itself away"
(lack begins as a tiny rumble), a brand new collection by my pressmate Caroline Cabrera, belies its title: these hybrid poems, almost lyric essays, brim with language that nourishes me. Pain and grief are starting points, but line by line, with amazing persistence, Cabrera digs herself out of those very dark places. Sisterhood helps, but so does a renegotiation of her relationship with her own body. “The womb is a world,” she writes in one poem, clarifying that image with the eye-opening closure, “Our first act is one of emigration.” In many poems, too, Cabrera unfolds what it means to be a blonde-haired Cuban American: “My skin keeps me safe. My blood, it boils in me.” My own concentration is poor these days, but this book riveted me. Bonus: the collection includes great poems about toxic bosses. I really appreciate poems about toxic bosses.
This book, by the way, feels very much in sisterhood with Girls Like Us by Elizabeth Hazen, star of my last salon, but really I’m just contacting people with new books and posting these interviews in the order I receive them. I’m really enjoying this project, as well as the new books it’s leading me through. Virginia’s governor just gave a stay-at-home order. I totally agree with it, but it makes connecting through writing more important than ever.
If you were ordering thematically appropriate refreshments for this shindig, what would they be?
We would eat popcorn and parmesan cheese. We would eat kale with bechamel and fried rice. We would eat spaghetti and meatballs, shrimp and grits, and beet risotto. We would eat fried chicken. We would eat guava pastries and croquettas and yucca frita with creamy cilantro sauce. We would eat blood oranges and pomegranates. We would eat and eat and eat and eat and never be filled.
If, after your breathtaking reading and the subsequent standing ovation, a friend pulled you into a curtained window seat and asked, “How are you really?” or “Are you able to write these days?”, what might you answer?
Right now I am reading and thinking and processing, which all feels like the precursor to writing. To a Floridian, this period of hunkering feels a lot like preparing for a hurricane that never comes. I’m living from that headspace and trying to be present with where it takes me.
How can your virtual audience find out more?
I co-host the advice podcast Now That We’re Friends with two other poets, Anne Cecelia Holmes and Gale Marie Thompson. We’re hosting a virtual live episode on Saturday April 11. Check out @NTWFpodcast on Instagram or Twitter for details.
I make photographs and poems to please myself (and share them to please you).
pages from an unbound book
a poetry blog & online home to the work of José Angel Araguz
book blogger & reviewer
Poetry, haiku, tanka, and micropoetry
poetry, writer's lift wednesday, music, and other stuff
Art. Disability. Writing.
Place, Poems, Practice
Poetry and what-not
(because compost happens)
The work wants to be made
Writing from both sides of the brain
"This work is unlike any other, in its range of rich, conjuring imagery and its dexterity, its smart voice. Carroll-Hackett doesn’t spare us—but doesn’t save us—she draws a blueprint of power and class with her unflinching pivot: matter-of-fact and tender." —Jan Beatty
a poetry page with reviews, interviews and other things