Should I wear the top hat or tiara while teaching Yeats tomorrow? Poe thinks it’s a stupid question.
People keep asking me how I feel about turning fifty tomorrow. One answer is: lucky. I’m back in the swing of teaching after a difficult summer, and I find it as rewarding as ever. My spouse and kids are well. My friends and family are kind to me, writing me poems and giving me silly headgear and treating me to fancy drinks and meals. My home is not flooded; I am not at risk of deportation. I can do useful work in the world and I sometimes even get paid for it.
This birthday also makes me feel frustrated. Writing itself, as I’ve often said here, is hard and slow, but somehow that labor seems satisfying in its own right. Seeking publication, not so much. Getting the queries and submissions out is nitpicky work, time-consuming, and demoralizing. There’s no alternative except giving up, though, and I think I have a few decades more fight in me. Hope it’s true.
The day I turned forty, I stomped around feeling just furious about it. What an indignity! But so far, I’m not experiencing even a mild irritation about fiftyness. An increased urgency about my writing, maybe, but that started kicking in a couple of years ago, when my eldest left for college. I began a major transition then–during the same autumn my mother was diagnosed with lymphoma–and those experiences make a mere birthday feel less significant. I mean, bring on the cake and all, but a number doesn’t change you the way altered relationships do.
When I blew out the candles last year, I’m pretty sure I wished for book contracts. What I have in mind this year is bloody persistence. My will to keep trying faltered for a while in June and July, when I was struggling through one of the more serious slumps I’ve known. My determination has since returned, a steady burn in the brain (or is that a hot flash?). I plan to keep tending and feeding it with all of my art, until a voice tells me, one of these years, “Okay, you can cool it now.”
Thanks for a thin bright stream of oxygen lately from three magazines whose editors gave space to my poems: storySouth, Copper Nickel, and Notre Dame Review. I’m looking forward, in the coming months, for more poems in Ocean State Review, Barrow Street, Sweet, Cherry Tree Review, Cold Mountain Review, Salamander, Blackbird, Raintown Review, and Water~Stone Review. I also have essays scheduled to be published in Crab Orchard Review, on Claudia Emerson’s early poems and her time teaching at W&L, and in Massachusetts Review, on Edna St. Vincent Millay’s abortions. That’s all pretty good, right? Happy damn birthday to me.
Writing that out was actually pretty helpful. It reminds me that pissed-off forty-year-old me would kick fifty-year-old me in the shins for those feelings of discouragement.
And on the subject of taking heart: maybe I’ll see you in Charlottesville this Saturday the 30th, 4-6 pm, at the 1000 Writers for Change reading at Writer House, organized by Polly Lazaron. Joining that crowd of makers and listeners seems like a hopeful thing to do.
(because compost happens)
The work wants to be made
Writing from both sides of the brain
"This work is unlike any other, in its range of rich, conjuring imagery and its dexterity, its smart voice. Carroll-Hackett doesn’t spare us—but doesn’t save us—she draws a blueprint of power and class with her unflinching pivot: matter-of-fact and tender." —Jan Beatty
a poetry page with reviews, interviews and other things
Mundane musings from a collector of the quotidian
Writer. Editor. Throwback Surrealist.
The Parlando Project - Where Music and Words Meet
Poet, Writer, Instructor
Low-Residency Graduate Programs – MFA, MA, Certificate
Thoughts on writing and reading
poetry. observations. words. stuff.
breathing through our bones
(The poetry blog of Grant Clauser)
Into one's life a little poetry must fall