Last week, I wished for an energy display icon on my forehead. Uh-oh, Lesley’s at 12% and has entered low-battery mode, expect her to be dim. Honestly, I’m not sure how I got through all my classes as well as giving a guest lecture and two weekend readings. I fear I said weird things, and I know I sent a feverish work email I can’t recall writing, because I found it in the printer later.
But Erika Meitner gave a terrific reading that I somehow presided over (here’s a guest blog I wrote about her work for Shenandoah). And the audiences, hosts, and fellow performers in my own readings at Fairmont State and Richmond’s Tea for Two series were particularly warm and kind. On the downside, my forty-ninth birthday was spent trying to get a handle on endless homework while treating an awful sinus infection. I’ll have to do better next year.
It’s funny how work that drains you–such as teaching or hosting a visitor–can simultaneously plug you in and start charging you up again. It was tiring to drive to Richmond after a long semi-sick Friday. Laura-Gray Street and I had devised a plan of alternating reader and topic every few poems. Creating a list of poems for each theme was time-consuming. Yet the scheme raised the energy, I think, giving the event some plot and suspense. Perhaps it even raised the stakes. Laura-Gray had found the following quote from an “unnamed Chinese author, circa 575 B.C.E.”:
“Clothes, food, shelter: Satisfy these first, then teach people to be human.”
So our four topics: clothes, food, shelter, and being human (we chose poems for the latter about meaning and spirit). Turns out I’m a shelter poet and a being-human poet–my food poems are mostly about hunger and my clothes poems about nakedness. It was interesting to learn that. At any rate, I had some seriously lovely conversations with other writers afterwards. Connections sparking all over the place.
One more bright node: I had a late-August essay posted at Modernism/ Modernity last week, where I have a column on the writing process. This post’s called “Teaching/ Writing Correspondence, Part I” . It addresses the study of poets’ letters–a big topic for my current modernism students, who, for a final project, will be annotating some 50s correspondence recently acquired by our library between undergrad Shenandoah editor Tom Carter and Ezra Pound. I’m no Pound scholar and have always been skeptical of defining the period according to his program. He was a brilliant, crazy bigot; I like other poetry better. Yet I can feel myself being drawn into the vortex. I don’t really have time to fiddle around but this project is so interesting.
When I first started at W&L more than twenty years ago, I had a dream about walking into a near-empty classroom. The windows were open to a summer breeze and I could hear students running around on the grass. Sitting quietly at the desk working was a young Ezra Pound, pointy beard and all. He gestured me over and we sat and looked at some of my poems together. He didn’t praise them, but as he pushed them back to me, he nodded, implying he saw potential. He said, “Keep working and you’ll get somewhere.”
Was dream-Pound priming young me for later work on his legacy? Damn and blast.
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