“The first time you’re hit by it, you have no idea what it is, what it came from, or why…If you ever try to confront the events, you feel half crazy and afraid…People start to tell you to calm down, to pick your battles more carefully, and to be grateful for what you’ve got…As you obey and shut yourself up, you start to notice more of what is happening to other women around you. The shrapnel itself and the silence surrounding it start to seem more and more absurd. You start coming up with nine-block cartoons and lyrics for a sexual harassment musical. You wonder who’s crazier now…” (4)
I just finished a new book, Gender Shrapnel in the Academic Workplace, by colleague and friend Ellen Mayock. It’s useful and even funny, as in the passage above, but painful to read, too. It’s hard to face being valued less in a demanding workplace because of your gender. I’m more comfortable acknowledging good luck than discrimination. My identity has brought me many advantages, but what what I’m thinking about today is how I’ve hated being a girl for as long as I can remember.
I hate the cultural implications–that my appearance matters so much to strangers and to me. But the ways that culture and biology intersect are no fun, either. I’ve spent so much time feeling physically afraid. Weak. And menstruation, pregnancy, lactation–oh my god. Having two healthy children prospering in the world is part of my luck, and it’s healthy for an intellectual to be reminded she is, in fact, a mammal, connected to natural cycles in the very tissues of her body. Yet I would gladly have shared the costs of gestation with my husband and I can’t wait for menopause. If you identify as a woman and love it, that’s great, truly. But womanhood as I’ve known it is, at best, a royal pain.
Is this a bad attitude to admit? Does it make me a lousy role model, or render hypocritical the solidarity I feel with women writers? I don’t know. Certainly it’s a kind of frustration no one should have to feel. But it’s the truth, for this one person.
I’m not the only professor who throws herself into work to get away from the limits of embodiment just to find work directing her back to that very body. Gender Shrapnel offers smart analysis of harmful ways an academic workplace can keep reminding a striver, “nope, you’re a woman, before all.” The chapters on “silence” and “tempered radicalism” are particularly powerful, as well as the idea that women who speak up become “radioactive,” tainting anyone they try to help. And Mayock is great on insidious factors that can reinforce gender power structures: when and where a meeting is set, for instance. A few other passages I dogeared:
131: “Administrators who appreciate strength, even divergent, possibly competing types of strength, in their employees also exhibit real strength, for they are modeling the type of intellectual debate that their organizational mission statements are promoting.”
171: On making place for critique of an organization, within the organization: “Ponder the possibility that all workers have the good of the organization in mind.” (I do, even in my angriest moments.)
175: “Leaders who can express ‘humility and modesty’ are de facto—men. Why is this? Because it is a given that they are excellent and, therefore, they are provided the luxury of presenting themselves as humble or modest. Women leaders and/or aspiring women leaders do not have this luxury, and I believe that the same is true for people of Color.”
197: “The leading study on maternal wall stereotypes found that, compared to women with identical resumes but with no children, mothers were: 79% less likely to be hired, 100% less likely to be promoted, offered $11,000 less in salary for the same position, held to higher performance and punctuality standards.”
I dread taking this female body back to full-time teaching as my sabbatical ends. I love teaching, and other parts of my job can be great, too–helping students and colleagues thrive, advancing the arts on campus. But a boss who bullied and undermined me for years is still parked in my building, proof to me, forever, that my employers don’t consider my professional well-being important. I don’t feel safe, even cushioned as I am by so many privileges–tenure for starters. Whiteness. None of us is ever safe, I know, but I wish we could show more respect for each others’ fears and impose consequences on aggressors.
On shrapnel and poetry: I know of two recent cases in which talented women poets were pushed out of academic leadership positions for reasons that had a lot to do with gender. And women writers suffer flak from more distant battles, too–VIDA has done a lot to highlight how much gender shrapnel is flying around in the publishing world. Small data points have big consequences.
But harassment, mobbing, and other destructive behaviors rooted in gender bias affect literature more deeply than that. Sometimes people are so demoralized they can’t or don’t write in the first place. Sometimes, more positively, suffering redirects writing into new channels.
Writing remains a primary way for me to probe inequity and imagine a better order. Here, in disembodied language, I feel as strong, as pretty as any of you. So among Mayock’s many lists in this book, I particularly relished “Stages of Confronting Sexual Discrimination, Harassment, and Retaliation in the Academic Workplace” (50-2). The whole thing is priceless, beginning with #1, “What the hell was that?” But I note how much time I spend at #15, “Anger, frustration at the injustice,” in which the harassed person, coming to voice in ways others may find inappropriate, “consider[s] writing cartoons or musicals.” For me, speculative feminist novellas in terza rima, and I ain’t done yet.
Bless activists who make change in the courts, the streets, the boardrooms. For me, it’s mostly the classroom, the student conference, the printed page, the blog. Also, the voting booth. Small spaces. The consequences remain to be seen.
Lastly, because performing gender is a drag, here’s some joy:
(because compost happens)
The work wants to be made
Writing from both sides of the brain
"This work is unlike any other, in its range of rich, conjuring imagery and its dexterity, its smart voice. Carroll-Hackett doesn’t spare us—but doesn’t save us—she draws a blueprint of power and class with her unflinching pivot: matter-of-fact and tender." —Jan Beatty
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