The still eye of November’s hurricane was, improbably, a modernism conference in Boston. I scudded in a day late, only half an hour before my first meeting. I was recovering from illness, and my son and husband were sick, and I’d packed badly, especially considering how chic modernism scholars tend to be, with their Calder-mobile-style earrings and funky eyeglasses and fabulous boots. I often feel out of sorts at academic conferences, too—the poet-scholar failing at both sides of the hyphen. Yet the fancy hotel was full of friends: people who have helped me, people whom I have helped, and people I just like to talk and listen to. It was restorative and made me think hard about mentoring.
My autumn, as reported in the previous post, had the plot arc of a killer storm: the happy family was sailing along, backs to a swelling bulk of thunderheads. The first smashing wave was my mother’s sudden illness, eventually diagnosed as lymphoma with some dangerous complications. I think she nearly died twice, but was rescued by my sister driving in from New Jersey to drag her to the ER (my mother lives in eastern Pennsylvania, about a five-and-half hour drive from me). Double-crisis is the formula for a thriller; the danger seems at first to be averted, and then a bigger threat arises. Her treatment now seems to be proceeding effectively, but the past weeks taught us all vigilance. My concentration is terrible. I did finish my conference paper, write a few references, submit a micro-review. I know I drafted a few desperate poems, too, but haven’t had time to look at them—did I mention my laptop is also dying?
To help a little during the week before Thanksgiving—my sister is carrying most of the burden—I traveled to the Modernist Studies Association meeting by car, visiting Pennsylvania on the way. When I arrived at my mother’s hospital on Wednesday afternoon, they discharged her, and I spent a day and a half getting her settled at home: counting out pills into a dispenser, buying supplies, cleaning, doing laundry, cooking, phoning the insurance and visiting nurses, and helping my brother move a bed downstairs. I still can’t believe how much we did, even while I was absorbing seismic changes in a lifelong intimacy. One of my earliest memories is being carried shivering out of a bathtub by my mother, who rubbed me dry and unrolled lacy white socks over my ankles as I protested the cold. Suddenly I was dressing my mother, fetching layers as she shivered. Age goes this way for most of us eventually, and it’s good when we can help each other along. Still, it’s tiring work emotionally and physically.
It was strange to arrive at the Boston hotel in this condition, put on my professional clothes, and launch a reading I’d organized. Yet it eased my mind to hear those poems and have a series of conversations with other people negotiating their own crazy lives brilliantly. One friend’s major health crisis, she told me, was immediately followed by her husband’s heart attack; she knew exactly what I meant when I described my own juggling of caretaking and professional urgencies. Her glance, that reassuring touch to the arm, helped me exhale. A lot of my friends, of course, are middle-aged people with mortal parents and/or still-needy teenagers plus their own ambitions, but I also sat for a few minutes on the lobby carpet with a former student’s sleepless toddler as she deconstructed a lily. I don’t know who is mentoring whom in some of these interactions, but it’s all reassuring.
When I departed on Monday morning, I listened to Mindy Kaling’s recent audiobook, Why Not Me? Kaling commissioned one mini-chapter from a mentor—perhaps improbably, a middle-aged white guy. In the audiobook, he reads aloud his own words, “On Being a Mentor,” a bit of which I’ve transcribed below. After describing his own role-models, Greg Daniels speculates:
“I know a lot of people are probably thinking, ‘Oh, good for you, but nobody’s ever wanted to be my mentor.’ I don’t think any one of them wanted to be my mentor, either. My advice is: you take your mentoring wherever you can find it, whether it’s being offered to you or not. Have you ever used your neighbor’s wi-fi when it wasn’t on a password? If you have the opportunity to observe someone at their work, you are getting mentoring out of them even if they are unaware or resistant. Make a list of the people you think would make the greatest mentors and try to get close enough to steal their wi-fi.”
I agree with Daniels. Since grad school, a mess to discuss on another day, I’ve hijacked my mentors’ attention against their better judgment, or jostled in close to busy people to learn what I could. Most but not all of them were feminist women, and I don’t know whether that’s because women were more open to helping me, or whether I felt more comfortable sidling up to them. But I’ve attended most MSAs since the organization started in the late nineties, and again and again I see women there modeling an intellectual generosity I aspire to. Linda Kinnahan, Cynthia Hogue, Marsha Bryant, Dee Morris, and Cris Miller not only give dependably rockin’ talks but attend small panels with warm engagement; direct questions to the speaker who’s getting the least attention; redirect blowhards; and do the behind-the-scenes work, too, of tenure reviews, anonymous reader reports, and cleaning up complicated professional messes. I’m singling out a few who have been models for me, but there are many others—plus people at earlier career stages who impress me with similar gifts. Most of them could probably say no more often, and I should, too. If you don’t get good work done, after all, your own ability to help others shrinks. I really want to just hunker down and write this December, ignoring everyone beyond my closest family and friends. Still, strong signal, no password: that is a beautiful way to broadcast.
For the pic below with Cynthia Hogue and her dashing handbag, thanks to Marsha Bryant. You can see more from the MSA reading at Aldon Nielson’s blog.
pages from an unbound book
a poetry blog & online home to the work of José Angel Araguz
book blogger & reviewer
Poetry, haiku, tanka, and micropoetry
poetry, writer's lift wednesday, music, and other stuff
Art. Disability. Writing.
Place, Poems, Practice
Poetry and what-not
(because compost happens)
The work wants to be made
Writing from both sides of the brain
"This work is unlike any other, in its range of rich, conjuring imagery and its dexterity, its smart voice. Carroll-Hackett doesn’t spare us—but doesn’t save us—she draws a blueprint of power and class with her unflinching pivot: matter-of-fact and tender." —Jan Beatty
a poetry page with reviews, interviews and other things
Mundane musings from a collector of the quotidian