The Head-Space of Revision

One more day in NaPoWriMo. I’m wondering: could May be NaPoRe(vision)Mo, and June NaPoSub(mission)Mo? Not sure I’m capable of it—the next few weeks are about as busy with teaching, domestic stuff, committee work, and miscellaneous deadlines as they could possibly be—but I’ll try. One potential snag: drafting is about openness and dreaming, restorative activities when your life is too busy. Revision, though, while it can be about receptive listening, also requires intellectual focus and decisive ruthlessness. The needle might be hovering around empty on those tanks, given this month’s grading, administrative, and report-writing obligations.

Whatever happens next, I’m shocked by the sheer amount and intensity of what I’ve written. Not one poem from the inventory below is ready for prime-time yet, but most of them contain interesting ideas, juxtapositions, and bits of language. It’s as if I squeezed in a writing retreat through random 30-60 minute blocks. The numbers refer to dates; I started storing drafts in an “april12poems” folder about three days in, when I realized I really was committed and would lose track of process otherwise.

1 He Likes Road Runner Best (sonnet treating Merrie Melodies, my son, Afghanistan)

2 The Opposite of Elegy (drafted outside Lee Chapel thinking about recent memorial services)

3 Acoustic Niche (terza rima about birdsong and creative writing workshops)

4 In Praise of Slogging (haiku expressing frustration about slacker students through an apple blossom metaphor)

5 OLD, Petersburg Virginia, by Gordon Stettinius (ekphrastic and syllabic, from a photograph in Staniar Gallery that made me think of my daughter’s recent birthday)

6 Past Meridian (fourteen word sonnet about middle age)

7 How Study Abroad Transforms You (couplet-sonnet depicting the Notorious New Zealand Paintball Outing)

8 Distractible (cruel and sexy April)

9 Semi-colons (extended sentence about teenage romantic drama)

10 Art Film (talked about that one in the last blog)

11 The Size of It (ditto; also 1989 cross-country trip)

12 Photoautotrophic (getting a little ecstatic, one of this month’s many long-lined free verse poems)

13 Working Assumptions (how I thought life operated when I was nineteen)

14 Powder Burn (remembering the guy who told me, “if you had long hair and a southern accent you’d be the perfect woman”)

15 Zut, Zut, et Zut (more melodramatic teenagers)

16 Earth, Air, Fire, But Mostly Water (looking at Deborah Miranda’s mountain, then pretty much on fire)

17 Chorophobia (look it up)

18 Reverberation Room (double sonnet that begins with the friendship between Liz and Jack on 30 Rock and ends up rhyming “obscene” with “feeling”)

19 Anti-Dinosaur Haiku (commissioned)

20 Enter the Wormhole (based on Janet McAdams’ rock-paper-scissors prompt from BookBalloon, though I broke the rules)

21 Science Fiction (I am definitely not done with this as a poetry topic)

22 The Sun Went Down Then I Felt Sad (response to a dare)

23 The End of Talk (using “talk” in epistrophe—does one say “in” epistrophe?)

24 Werewolf Arm (a sonnet referring to Chris’ birthmark)

25 That Small Item You Forgot Was In There (litany based on phrase “my first home,” the beginning of Robert Sullivan’s “Boyle”)

26 Lessons/ Reflecting Water (swimming pool haiku series, watching Cam splash after Sullivan glossed “waiata” in class)

27Aubade (playing with a three-step line)

28 Uncanny Valley (you know that theory about how too-lifelike robots inspire revulsion?)

29 Falling (lame title, but the poem uses trochees and dactyls to talk about marijuana)

30 ? (but what I’d like to pull off is a response to Craig Pleasants’ gallery exhibition)

Suggestions for tomorrow are very welcome, but you have about 11 hours until I’m at risk of starting to write without you.

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