“J’accuse!” shouted our daughter last night. No, not really, but she did hold us sternly to account for misleading her. Our dinner table conversations had given her the impression that science fiction and fantasy were high-prestige literary modes. Now, in her junior year AP…
I don’t share in ritual contempt for literary criticism as an enterprise—how could I and still bear to live with myself?—but having spent too much of the summer engaged in a massive review of several critical fields, I feel annoyed about the whole endeavor….
Knock me over with a griffin feather: even though I published one, I did not understand that the contemporary speculative verse novel for adults was a thing. Much less a thing that gets published by Norton and Knopf.* So I’ve been roaming the field,…
Three weeks out: What do these panel/ event names mean? “Queers Dig Time Lords and Outer Alliance TARDIS Party”? “Is Feminism Magic? The My Little Pony Panel!”? “None of Us Are Goats”? One week out: Why aren’t my co-panelists answering the let’s-get-prepped email the…
You thought I meant poetry readings, I’m sure, and yes, we will talk dirty to you in bookstores, classrooms, cafés, and other marginal spaces, for little or no compensation. But at the moment I’m referring to another kind of freebie. The wheel of…
One of my talisman poems is section 6 from H.D.’s “The Walls Do Not Fall.” The poet imagines herself as a worm, emblem of lowly persistence, among mist-jeweled grass blades. Her mantra: “I profit/ by every calamity;/ I eat my way out of it.”…
Otherworldly poetry is an adaptable traveler—it can thrive in many climates and habitats—but the new science fiction-themed issue of the New Yorker does not, apparently, possess a life-sustaining atmosphere. My favorite reading bandwidth is slipstream, new fabulism, whatever you call it: that place on…
The work wants to be made
Writing from both sides of the brain
"This work is unlike any other, in its range of rich, conjuring imagery and its dexterity, its smart voice. Carroll-Hackett doesn’t spare us—but doesn’t save us—she draws a blueprint of power and class with her unflinching pivot: matter-of-fact and tender." —Jan Beatty
a poetry page with reviews, interviews and other things
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Writer. Editor. Throwback Surrealist.
The Parlando Project - Where Music and Words Meet
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Low-Residency Graduate Programs – MFA, MA, Certificate
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breathing through our bones
(The poetry blog of Grant Clauser)
Into one's life a little poetry must fall
Scribblings in awe of poetry, transitions, mutations and death