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Voices in my head

I don’t know how to harmonize the jostling inner voices of the last few weeks into coherent prose, so here’s some cacophony.
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In which I deploy a questionable surfing metaphor

I’m a melodramatic soul, but I suspect myself of particularly flamboyant hyperbole when I find myself wondering if this is one of the most important seasons of my life, career-wise. (I’d put, for example, becoming a parent ahead of it on the Actual Major Life Change list). Lightning has struck before, for example through a…
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Some indie books for your list

This week in the U.S. academic calendar involves a lot of reflection on and (less rewardingly) grading of student writing. I always sift and contemplate of my own year’s work, too, looking over what I’ve read and written, considering what I want to do next, or do better. I wasn’t surprised to see poet-blogger Ann…
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Flares, small and celestial

I’ve been thinking about smallness, so it was fascinating to read, this weekend, Jeannine Hall Gailey’s dazzling new poetry collection, Flare, Corona, a book that explores parallel crises on many scales, from the microscopic to the telescopic. I plan to teach it so I snagged an advance review copy, but it’s now available for pre-order…
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Mycelial poetry devouring the ruins

For the last couple of years, my muse has been mycelial. I mean both that fungus infests my current mss–I’m revising a poetry collection and a novel–and, in a related way, that a mycelial life seems like what I ought to be aiming for. Spreading tendrils underground, sprouting mushrooms after a storm, metabolizing trouble: these…
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Tendrils, connections, & kindness in publishing

We arrived in Virginia yesterday to a home landscape that’s lusher and more humid. This morning I went to the weekly farmer’s market and the produce has changed: zucchini, beets, and cherry tomatoes are edging out the strawberries, delicate greens, and scapes. My son and I took a walk after and found vines extending tendrils…
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Fairy monster godmother gets the chair
Yesterday, at a NeMLA panel called “Hybrid, Feminist, & Collaborative,” the writer and artist Mary-Kim Arnold talked about “feeling like a hybrid” as a child born in Korea then adopted into a New York family. Explore her whole amazing website if you have time, but here’s one piece that literally stitches image to text in…

