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AWP Haiku
Note to future self:/ skip panels on publishing/ and self-promotion. I used to wonder/ how to break in. Now I want/ to write good. Backwards? Rita Dove talking/ about anything is worth/ ten hummus buffets. That’s as far as I got with seventeen-syllable crystallizations of my experience at this year’s annual meeting of the Association…
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Teaching Claudia Rankine’s Citizen
Teaching a single-author poetry book is a different enterprise than assigning poems from an anthology. There’s a lot more information to sift and process: the future greatest hits are interspersed with poems that may be harder to absorb; ordering, epigraphs, and subsections suggest new meanings; there’s an arc to read for, a set of through-lines…
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Intention / haplessness
As usual, I’m tripping over my own sleepy feet into National Poetry Month, knowing I should have a WRITING PLAN but instead feeling indecisive, half-awake. April is when W&L’s winter term ends in a flurry of meetings, receptions, and papers; exam week and spring break, which are relatively calm, occupy the middle; and by the…
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Postcard for Jean
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Lucidity, difficulty

As a grader of zillions of undergraduate essays, I hate the word “relatable.” I never let “universal” sneak through a poetry class without interrogation. I understand why some critics mock the word “accessible,” as if poems could be built to code with wide ramps and handrails. Relatable to whom? People don’t have equally easy entry…
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The important stuff
On Thursday afternoon of last week I thought I’d organized all my obstreperous administrative ducklings into a row and marched them off into a soft-focus sunset. Or, if that metaphor isn’t working for you, you could say I was heading into Washington and Lee’s weeklong break with a clear desk and a nearly-empty email box,…
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The Unbeliever Takes a Hike
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Pain, pleasure, and Spottswood Styles
Ghosts of poetry: once, on the current site of Washington and Lee University’s theater, there stood a brick house with a stone fireplace “so large that we could burn whole railroad ties without having them cut.” It belonged to Spottswood Styles, 1869-1946, “Lexington’s Negro Poet.” I’m quoting from volume seven of the Rockbridge Historical Society…
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Good reads