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When revisions are even harder
I’ve been working flat-out on honing the manuscript of an essay collection, Poetry’s Possible Worlds, due from Tinderbox Editions late this year or early next (I suspect the latter at this point). It’s a blend of memoir and criticism with a good dose of cognitive science and narrative theory, plus thirteen 21st century poems reprinted…
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Convertible and weird
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Conference report containing not nearly enough gossip
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Teaching guide for “A Grimoire” in Shenandoah 70.2
The Slightly-Later-Than-Spring 2021 issue of Shenandoah is live! I curated a themed section called “A Grimoire: Poems in Pursuit of Transformation.” My editorial note describes what I mean by “uncanny activism,” but in short, these are poems that try to make things happen, often by using the features of spells, prayers, charms, and other petitions…
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Listening to Iceland
Iceland’s landscape is gorgeous, but its soundscape is striking, too. I expected to hear crashing breakers and waterfalls, but I forgot there would be a million unfamiliar bird calls. I spotted oystercatchers, terns, gulls, fulmers, eider ducks, redwings, and sandpipers, but more often I heard screeches, warbles, clicks, and chattering from birds I couldn’t see,…
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Snagged in the antlers
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About #Breadloaf21
Okay, so my cats weren’t impressed with the Bread Loaf Environmental Writers Workshop, but I was–although since I would have been able to attend in person, the virtual format was a bit of a bummer. (I know virtualness makes a weeklong workshop so much more accessible for others, though, and cheaper. Tradeoffs.) The scoop: I…
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I don’t know what I’m doing again