We've been called so many things that we are not, we startle at the sound of our own names. -Elizabeth Hazen, from "Devices"
I’ll be teaching a virtual Whitman and Dickinson course in our May term, and because it may be pass/ fail only, it’s especially urgent to come up with assignments my undergraduates will genuinely want to do. Here’s one, although I forget where I picked up this idea because I’ve been doing SO MUCH READING about virtual education: create a virtual meal based on the reading, including a menu and place settings. Dickinson has so many poems about the lack of food (“It would have starved a Gnat–,” etc.) that this idea is weirdly perfect for her poems.
There’s a similar concern with binge and privation in Elizabeth Hazen’s Girls Like Us, as she describes in the interview below. Sometimes zooming in on pain, sometimes regarding it from a wry distance, Hazen focuses on intense material: gender-based violence, addiction and recovery, and, not least, the damage even language itself can do. In style, she’s what Marilyn Taylor has called a “semi-formalist,” sometimes writing in slim columns of free verse but elsewhere deploying meter and rhyme; these shapes work the way Adrienne Rich said her own formalism did, as a way of approaching a conflagration with “asbestos gloves.” The heat in Hazen’s second collection is fierce, but so is the beauty. See, for example, the last poem in the book, which makes my heart ache: “Monarch,” among the earliest poems Beth and I chose for the new Shenandoah.
If you were ordering thematically appropriate refreshments for this shindig, what would they be?
This is a tough one . . . many poems in the book explore alcoholism and its fallout; others allude to disordered eating and anorexia – so the question of appropriate refreshments to go with this book is fraught . . . If one wanted to emulate the women in many of the poems, straight liquor – any kind – would be a fitting refreshment; another version of the party’s menu could be the austere black coffee and stale donuts or off-brand cookies so often associated with recovery. A wild array of mocktails would be better suited to a celebration, though, and I do love kombucha. Powerbars would be an suitable snack – not for their substance, so much as for their names; this collection looks closely at power dynamics, particularly those related to gender, and I’m a sucker for puns.
If, after your breathtaking reading and the subsequent standing ovation, a friend pulled you into a curtained window seat and asked, “How are you really?” or “Are you able to write these days?”, what might you answer?
So far, I would say, I am physically healthy. My mental state is stable. I have adopted a “one day at a time” approach to moving through these weeks and months. I am trying to actively practice gratitude each day, lest I fall into the trap of bemoaning all the canceled events and missed opportunities. I am getting used to my own face staring at me as I record videos for my students. I realize that I miss them, and this is bittersweet; I will be very happy to be back in my classroom again.
When I’m not busy with school-related work, I putter. I completed a 1000-piece jigsaw puzzle, and my crossword game is growing fiercer; I have been considering cross-stitching. Writing comes in sharp little bursts, then eludes me for days. I am trying to be patient, to find a voice that’s louder than the one telling me all the things I “should” be doing. I am finding a new rhythm, as we all are, and trying to remember that this, like everything, is temporary.
How can your virtual audience find out more?
You can find me at elizabethhazen.com, but the best way to learn more is to check out my publisher’s website, https://alansquirepublishing.com/book-authors/elizabeth-hazen/
(because compost happens)
The work wants to be made
Writing from both sides of the brain
"This work is unlike any other, in its range of rich, conjuring imagery and its dexterity, its smart voice. Carroll-Hackett doesn’t spare us—but doesn’t save us—she draws a blueprint of power and class with her unflinching pivot: matter-of-fact and tender." —Jan Beatty
a poetry page with reviews, interviews and other things
Mundane musings from a collector of the quotidian
Writer. Editor. Throwback Surrealist.
The Parlando Project - Where Music and Words Meet
Poet, Writer, Instructor
Low-Residency Graduate Programs – MFA, MA, Certificate
Thoughts on writing and reading
poetry. observations. words. stuff.
breathing through our bones
(The poetry blog of Grant Clauser)
Into one's life a little poetry must fall