Sometimes the news just silences me: children suffering in camps, the Justice Department refusing to seek justice after the killing of Eric Garner, racist tweets from the white-nationalist-in-chief. I make donations and sometimes participate in political action, but mostly I’m sitting around like Ursula, all ears and touchy whiskers, no words. I will say, having just heard members of the “Squad” on the radio explaining, with some exasperation, that they do not comprise a conspiracy: for years, if I stopped on campus to talk to a distinguished woman professional or two, or went out to lunch with those women, male professors and administrators passing by would, without fail, pause with looks of alarm or mock-alarm and exclaim, “Uh-oh, you’re plotting!” It’s interesting that strong women in conversation inspire such paranoia. Let’s keep being scary.
Here’s a scary poem, with thanks to the editors at Verse Daily and at the original publisher, Cimarron Review. It’s from a blizzard of sonnets that overcame me during the last presidential election, the best of which will be in my next poetry collection. Otherwise I’ve just had my head down lately, revising Poetry’s Possible Words and ticking down my to-do list: minor jobs under deadline (reviews of various kinds), and house and family chores. Self-care is on the list, too: continuing to negotiate health problems but also talking to friends, reading a ton, searching for fox-themed clothes I can wear when I have a fox-themed novel to read from…
I’m pleased at how strong Poetry’s Possible Worlds has become, by the way. That’s my forthcoming essay collection (Tinderbox, 2021), a hybrid of contemporary poetry criticism and personal narrative, perhaps along the lines of “creative criticism” as Lesley Jenike describes it here (also see a cool example of it by Jenike in the most recent Shenandoah). One chapter of PPW appeared a few years ago in Ecotone; I’ve adapted another that’s under submission; and a third is nearly ready to go out. I’ve been trying to crank because I’m leaving Sunday for the MLA International Symposium in Lisbon, Portugal; we’ll spend 5 days there and then take a train up to Porto to vacation for several days. We return at the start of August, also known as the beginning of summer’s end–and final edits of my novel are supposed to arrive then, which I’ll need to throw myself into before the school year gets me in its clutches.
I may post a few pictures from the trip, but in general I’ll be trying NOT to work or fuss with social media. Aside from the conference, I just want to eat and drink deliciously, see lots of sights, and read novels for pleasure. It might frustrate Ursula and Poe to be in the care of an oblivious 18-year-old math whiz for 11 days, but I’m sure he’ll remember to feed them, and himself, occasionally. And I’m really grateful to be getting out of here for a while.
"This work is unlike any other, in its range of rich, conjuring imagery and its dexterity, its smart voice. Carroll-Hackett doesn’t spare us—but doesn’t save us—she draws a blueprint of power and class with her unflinching pivot: matter-of-fact and tender." —Jan Beatty
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I imbibe words and consume past minds. As a result, I often awake next to strange sentences and forgotten meanings.
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