Month: September 2018
The bees are flying. They taste the spring.
How intense it was this week to be alternately following and averting my eyes from the Senate hearings as I taught Sylvia Plath to seventeen stingingly sharp students–trying to open up space to talk about anger, violence, gender, and race in powerful but often… Continue Reading “The bees are flying. They taste the spring.”
Obliterature
“Obliterature draws attention to the gendered formation of literary value while also denoting the casual, minor, repurposed, and ephemeral writing expelled from literary criticism’s traditional purview. Such writing might include letters to the editor, junk mail, diary entries and their twenty-first-century digital descendants: blog… Continue Reading “Obliterature”
Poetry and fake news
I don’t think a poem can be true. I also recognize that when a writer works through something risky and important to her in a poem–when the stakes feel personal and significant, and language is used craftily to convey that cost–the end result is… Continue Reading “Poetry and fake news”
On first looking into Shenandoah’s submissions
Turns out there’s some good news about rejection I never really grasped before. I’m reading poetry for Shenandoah in earnest now and realizing rejected poems DO reach sympathetic readers, at least if you send them to well-edited magazines: the editors and staff readers themselves. I am moved,… Continue Reading “On first looking into Shenandoah’s submissions”
Flagging
In the screenshot above, a racist organization celebrates my university president. It’s been quite a week. Backstory: in August 2017, as neo-Nazis rallied in Charlottesville, W&L’s then-new president set up a Commission on Institutional History and Community to study how we teach and represent… Continue Reading “Flagging”
